See for example the review of a recent book on Alexander Dorner
 Haidy Geismar. Museum Object Lessons for the Digital Age
. London: UCL Press, 2018, p. 17.
 Frank Matthias Kammel, "Neuorganisation unserer Museen oder vom Prüfstein, an dem sich die Geister scheiden: eine museumspolitische Debatte aus dem Jahre 1927", Jahrbuch der Berliner Museen
, N.F. 34 (1992), pp. 121–136; François Poncelet, "Regards actuels sur la muséographie d'entre-deux-guerres", CeROArt
[Online], 2 (2008).
 Masha Chlenova, "Soviet Museology During the Cultural Revolution: An Educational Turn, 1928 – 1933", Histoire@Politique
, №33, September-December 2017 [Online: www.histoire-politique.fr
 Bénédicte Savoy. Die Provenienz der Kultur. Von der Trauer des Verlusts zum universalen Menschheitserbe
. Berlin: Matthes & Seitz, 2018.
 Boris Arvatov. Iskusstvo i proizvodstvo
[Art and Production]. Moscow, 1926.
 The prominent French museologist, Henri Rivière, visited Soviet Russia in the 1930s and was captivated by its museums and the role they played in society: "I'm not talking just about the museums, which are human, profound and fertile, but of the manner of life, the social concept. ... We'll talk more about it in Paris. But what a joy for me to find here in reality the museums, of which I had dreamt, of which I had laboriously sketched a theory in recent months. My themes of museums that accumulate, gather, select and make a synthesis are close to the museums I find here; a more precise and definite vocabulary comes to my assistance." Gradhiva
, №1, Fall 1986, p. 26. [translated from French].
 Alexei Fedorov-Davydov, "Fifteen years of Museum Building in the USSR", . Archive of the Russian Academy of Science. The Communist Academy files. Folder 358, box 2, file 404, p. 117.
 Marxist exhibitions and their originality were highlighted at the most important European museological event at the Conférence internationale d'études – Architecture et aménagement des musées d'art held in 1934 in Madrid by the Office International des Musées. They were also extensively reported in journals (for example Informations mensuelles
, 1934, №12, pp. 11–13).
 Adam Jolles. The Curatorial Avant-garde: Surrealism and Exhibition Practice in France, 1925 – 1941
. University Park, 2013, pp. 57–92. Museum and cultural collaboration with German cultural and political organizations is mentioned, for example, in B.P. Kandidov, "Put borby" [Path of Struggle] in Sovetskoe gosudarstvo i religia 1918
– 1938, dokumenti iz archiva Gosudarstvennogo muzeia istorii religii
[The Soviet State and Religion 1918 – 1938. Documents from the State Archive of the History of Religion]. St. Petersburg, 2012, p. 287.